Balsa

Studio Works

Balsa
12×18 inches
Acrylic on canvas
April 27, 2016

A “balsa” is a bamboo raft that makes for happy lounging at sea. Last weekend I took my niece, Patrice, to a windsurfing cove in Anilao, Batangas. We sat on the balsa at midday, wind blowing from all directions, fishes swimming underneath, and I set out to paint. Of course the canvas fell in the water and my palette got blown over many times, but it’s working like this with the raw energy of a floating raft, feet soaked in seawater, and the maddeningly hot sun on our backs that makes outdoor painting so worth it!

#thisisthelife #sun #sea #beach #summer #pleinair #painting #acrylic #anilao

Sunrise-sunset

Portraits and Plein Air Works

Sunrise-sunset12x18 inchesAcrylic on canvasApril 14, 2016Spent the morning finishing this painting, which I started on Guinto Island, Palawan last week. It was a humid and sticky day but the sky went crazy to impress us by late afternoon. The night was filled with constellations and shooting stars, and we couldn't stay away from the water for too long when the bioluminescent plankton began to come out and play. I woke up at 5am the next day and spent 2 hours watching the sky turn blue again. Endings are also beginnings, which turn into endings-beginnings day in, day out. We live in such a beautiful world.#pleinair#painting  #acrylic  #beach  #taophilippines  #palawan  #adventure #sunrise  #sunset

Sunrise-sunset
12×18 inches
Acrylic on canvas
April 14, 2016

Spent the morning finishing this painting, which I started on Guinto Island, Palawan last week. It was a humid and sticky day but the sky went crazy to impress us by late afternoon. The night was filled with constellations and shooting stars, and we couldn't stay away from the water for too long when the bioluminescent plankton began to come out and play. I woke up at 5am the next day and spent 2 hours watching the sky turn blue again. Endings are also beginnings, which turn into endings-beginnings day in, day out. We live in such a beautiful world.

#pleinair #painting #acrylic #beach #taophilippines #palawan #adventure #sunrise #sunset

anticipation and the danger of happy memories

Uncategorized

24-Montalut - Presenting life as we know it

I just went through a life exercise in anticipation and harvest. Those who know me know that patience is one of my weakest points.

Months ago, I planned to make space for something possibly life-changing.

It’s tricky to frame something this way, then consciously work on downplaying it while it draws near, just to avoid any false romanticism or expectation. When it does unfold, the biggest struggle is to be fully in it, without referencing to the time, effort and anticipation that built it up. It is like a photographer who prepares his gear with full diligence, and patiently waits for the deer to come out and play, or the desert flowers to bloom. He doesn’t know exactly when the anticipated moment will come, if it ever does, and when it does, he prays he is able to recognize it, witness it and play his role in it by taking a picture.

My college teacher once said that life never goes as planned, so don’t get caught up in the details. Go out there with a skeleton plan, then do your thing and have a blast.

When a life-changing moment hits us, we don’t necessarily become aware of it until it is over. And then we immediately want to box it up in a memory. The experience remains in tact, it is complete, and it fills us with inspiration and joy, maybe even pain, the kind that wakes us up and keeps us on our toes. And we love it, having permanent access to this box of stories, which were once very real to us. We stock up on happy memories then we feel we have lived a good life.

What’s the danger here?

When we commit an experience to memory, we make it complete, and also unmoving. It stops. It doesn’t make room for change anymore– it becomes a fixture, albeit a happy, inspiring one.

When these stories involve people who are still in our lives, the encounter becomes stunted. The memory of something great has the danger of keeping us from welcoming the not-so-great days.

I just came from a series of life-changing events, and I’m caught in between romanticizing them in a capsule, and letting them flow through me without grasping, acknowledging that they were big and important and restorative, maybe even heart-opening (or heart-breaking), but also that they’re over. They came, and they passed.

How does one honor something, and yet let it go?

Alex

Portraits and Plein Air Works

Alex8x10 inchesAcrylic on canvas April 6, 2016Painted on a moving boat while on a camping expedition. Comes with splashes of seawater and breeze.#pleinair #painting  #onthespot  #acrylic #figure #portrait #taophilippines #palawan  #adventure

Alex
8×10 inches
Acrylic on canvas
April 6, 2016

Painted on a moving boat while on a camping expedition. Comes with splashes of seawater and breeze.

#pleinair #painting #onthespot #acrylic #figure #portrait #taophilippines #palawan #adventure”

mistakes and moving on

Uncategorized

Montalut Doodles 2013 (23)

I made granola for the first time today.  It didn’t work out.

I kept thinking it’s okay.  Mistakes before mastery, that’s how I do it in the studio.  When I used to experiment with new materials, rule of thumb was always, “No hesitation; bring on the mistakes.”

The raw material in this case was food, and I felt bad for wasting good food that’s not even readily available (buckwheat groats!).  I reviewed what went wrong (toaster settings weren’t checked),and tried to salvage what I could (semi-okay toasted granola, anyone?), but what ultimately made me feel better was clearing the space, tossing the evidence of failure and scrubbing burnt parts off the baking sheet.

Why is it such a relief to clear the evidence of a mistake?  Is there comfort in forgetting it happened?  Is that what moving on is about?

 

Do you need a jolt?

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Montalut Doodles 2013 (9)

Last night someone I just met told me that I came across as an academic artist more than one that created art. The observation gave me a jolt.

Earlier that day, I also visited my old studio and felt a cutting nostalgia for my old life, when I’d spend hours on end in that white room, surrounded by my favorite things– paints, brushes, books, and blank canvases–and cut away from the rest of the world.  I loved locking myself up in that hole.  It was my sanctuary, my cabin in the woods.  And the last time I actually created in there was in December 2014 — seven months ago.

I realized last night that yes, I have been neglecting my art, and with it a part of me, perhaps the part that sings the songs of my heart.  Last night was a quiet red flag.  I’d like to think it’s circumstantial, that priorities have shifted recently, but it is true what they say:  Kung gusto, may paraan.  Kung ayaw, may dahilan (If you want it, there are ways.  If you don’t, there are excuses.).

It’s amazing how these little nudges show up to bring us back to the path. Thank you.

Throwback: Au Naturel in Nuvali in 2013

Life in Nuvali Philippines

Sometime in 2013, I was asked by Ayala management if I\’d be willing to get interviewed for Avida Living Magazine.  They were to write about me and my experience in Nuvali.

I dug up a copy of the piece and am now shamelessly sharing it below.  Kindly indulge me and my 15 minutes of throwback fame.

This came out in Avida Living Magazine in October 2013: Au Naturel by Nicole Sindiong.